Reviews
Madama Butterfly – The Opera of Funen, 2011
Jyllands Posten: It was an excellent team of singers, with a text-pronounciation better than usual. (…) Jan Lund was an ideal, controlled and insinuating Goro.
Sigurd Dragedræber – The Opera of Funen, 2011
Fyens Stiftstidende: All four singers are excellent in their roles. The singing is powerful and with a superb pronunciation, but also beautifully lyric in the melodious duets between the raven and Sigurd (Jan Lund).
Die Tote Stadt – The Danish National Opera, 2010
Weekendavisen: With the tenor Jan Lund as Victorin the master of ceremonies, the carefree regiment is extremely well cast.
La Fanciulla del West – The Danish National Opera, 2009
Weekendavisen: A very particular performance makes the tenor Jan Lund as Minnies counter-jumper Nick. Agile, limping and with the moustache of a man of the world, a polished echo of Scarpias affable tool Spoleto from Tosca. During the three acts we experience Nick develop from the essence of amiableness to sadistic delight and back again.
Jyllandsposten: It´s unfair just to mention a few of so many excellent singers, therefore it must be a long list beginning with Jan Lund´s most exciting bartender Nick.
L´Incoronazione di Poppea – The Royal Danish Opera, 2008
Gregers Dircnick-Holmfeld: We may not forget that the acting and singing is considerably intense – some times ferocious – amongst others by Jan Lund.
Oliver! – Tivoli Copenhagen, 2007
Weekend Avisen: Jan Lunds extremely scarring undertaker Mr Sowerberry and his black tarred cadaver is pure delight…
Acis and Galatea – Innsbruck Landes Theater, 2007
The art of culture: Vocally the opera was surprisingly well cast. Thrilling were especially Mathias Hedegaard as Acis and Jan Lund as the manneristic Damon with sure intonation and a convincing talent for acting.
Labyrint of Love – Aalborg Operafestival, 2007
Aalborg Stiftstidende: The biggest experience of the evening was the duet from Manon sung by the soprano Charlotte Melgaard and the tenor Jan Lund; They both possessed the sensitive and mildly elegiac tone which they with accuracy brought the whole way to the finale.
Madama Butterfly – Rialto Theatre Copenhagen, 2007
Skånska Dagbladet: The tenor Jan Lund as Goro sings and acts beautifully and surely. They both solve the psychologic fight amongst Goro and Suzuki superbly.
To mand frem for en Diva – DogmeOpera.dk, 2006
Fyns Amts Avis: The Audience gratified with a standing applause after the last number at the danish premiere of DogmeOpera´s new show. In all aspects a great experience. Jan Lund with his large tenor voice, end Elsebeth Dreisig with her lovely bright soprano, and a just as thrilling and skilled pianist Thomas Rischel brought in “To mand frem for en Diva” the audience along on a lovely musically tour de force – from parts from Carmen to danish film-tunes all mixed with a great deal of humor.
La Cenerentolla – The Opera of Funen, 2006
Politiken: jan Lund is noteworthy sure in his professional handling of the operas second large part as the prince.
Il ritorno d´Ulisse in partia – The Royal Danish Opera, 2005
Week-end Avisen: A magnificent achievement is Jan Lunds both youthfully melancholy struck Telemaco, sung with a bright and thrilling voice.
Politiken: Telemacos touching tale about his meeting with the beautiful Helena is left in calmness and is a sure hit in Jan Lunds beautiful and stylish interpretation.
Aftonbladet: With Bo Skovhus in the title-role and Jan Lund as the son Telemaco it won´t get any better!
Skånska Dagbladet: As Telemaco Jan Lund was a tremendous succes. His bright and powerful tenor-voice had the exact right timbre for the baroque music.